This is a video of musician JER of the Skatune Network reimagining the Tetris A-Type theme in the upbeat, brassy style of a ska song. He does a fantastic job with all those instruments. So good I’m tempted to just say f*ck it to work today and play Tetris for
This is a video of a multi-talented entertainer tap dancing and playing his guitar simultaneously. I dig his technique. The way he just holds his guitar there reminds me of the way a chicken can keep its head still while moving its body around. Was this man’s mother a hen?
This is a video of musician Moyun, who never shows her face, performing Michael Jackson’s 1982 banger ‘Beat It’ on a traditional Chinese guzheng. She does a great job. Me? I never show my face either, although likely for completely different reasons. Maybe she does it for an air of
This is a video of talented pianist Vinheteiro (previously) performing a top ten medley of Scott Joplin ragtime tunes on a 1915 Barthol & Berlin upright piano. You can close your eyes and almost convince yourself you’re in an old wild west saloon drinking hot whisky and in desperate need
This is a clip of Nirvana’s January 11th, 1992 performance on SNL that’s been upscaled to 4K with the use of A.I. The episode also featured host Rob Morrow from Northern Exposure (my parents loved that show), and the band performs ‘Smells Like Teen Spirit’ and ‘Territorial Pissings’ before Grohl
In what he’s calling an all new musical genre dubbed Hanksta Rap, Dustin Ballard of Youtube channel There I Ruined It (previously) had Hank Williams perform N.W.A.’s ‘Straight Outta Compton’ with the help of artificial intelligence. I’m not gonna lie, it’s a banger, just like the original. Would I line
This is a video of Sinéad O’Conner performing Prince’s ‘Nothing Compares 2 U’, with the vocals isolated to really make her voice stand out. Not that it didn’t already, but now it’s all there is. I also included the version of the song you’re all familiar with, as well as
This is a clip edited by Youtuber There I Ruined It (previously), featuring David Bowie and Queen’s 1981 banger ‘Under Pressure’, but with everything but the nonsensical scatting sounds removed. It’s like tasting a single element of a deconstructed version of the song, the same way you might the individual